Brain Musics: History, Precedents, and Commentary on Whalley, Mavros and Furniss

Brain Musics: History, Precedents, and Commentary on Whalley, Mavros and Furniss

Blog Article

Whalley, Mavros and Furniss explore questions of agency, control and interaction, as well as the embodied nature of musical performance in relation to the use of human-computer interaction Risco de síndrome de realimentação e desfechos clínicos em pacientes de prontos socorros do Distrito Federal through the work Clasp Together (beta) for small ensemble and live electronics.The underlying concept of the piece focuses on direct mapping of a human neural network (embodied by a performer within the ensemble) to an artificial neural network running on a computer.With our commentary, we contextualize the work within the field of Music Neuroscience.Specifically, we point at precedents in EEG-based musical Sovereign CDS Premiums’ Reaction to Macroeconomic News: An Empirical Investigation practice as well as ongoing research in the field.

We hope to more clearly situate Clasp Together (beta) in the broad area of Brain Computer Musical Interfaces and discuss the challenges and opportunities that these technologies offer for composers.